cascade fathead II

Building A Drum Sound pt1

Building A Drum Sound pt1

 

 

“I put a mic on every drum. Why doesn’t it sound good?”

I’m sure at some point we’ve all asked ourselves that question. I know I have! Either it just didn’t sound good or it was completely the wrong sound for the music. Building the “right” drum sound is about more than just setting up mics on all of the drums.

The drum set isn’t a collection of different instruments. It’s one instrument made up of different pieces.

This is a very important, and often overlooked, aspect of recording a drum sound that has body, depth, and punch. For this very reason I always get the majority of my drum sound from as few mics as possible.

Even if I’m setting up 20 mics on a drum set the majority of my tone will come from 3-5 microphones. This is how I make sure that I’m capturing the drums as one instrument as well as getting a nice, full tone. From this point on I let the music tell me what mics I need to add to achieve a sound that works for the song.

In part 1 of “Building A Drum Sound” I’m going to show you how to capture the drums with only 2 microphones. I’ll explain what mics I use, where I positioned them and why I chose them. Then you’ll hear those mics with our song to see how they fit.

My challenge to you this week is to pick 2 microphones out of your mic locker and get the best drum sound possible. This is also a great way to experiment and learn how your mics sound!

I’ll see you next Tuesday with part 2. Happy recording!

Charlie

Posted by Charlie in Recording Tips, 3 comments
Marty O’Reilly Live in Studio! (w/Video)

Marty O’Reilly Live in Studio! (w/Video)

I love working with bands live in the studio. It’s such a wonderful way to record. It’s not always easy when you have drums, amps, and vocals in the same room playing at the same time but I love the challenge. When it works it’s just fantastic! Recently I got to work with Marty O’Reilly and the Old Soul Orchestra. They were on tour and had a day off after their show in LA. Derek from PMI Audio had worked with them before and wanted to get them in the studio to track through the Trident 88 console and shoot some video.

Our goal was to capture true live performances of Marty and his band with no overdubs whatsoever. Marty has such a cool vibe and the band really felt comfortable playing together in the room with no monitoring or headphones. Very, very organic.

For this session bleed had to be my friend because everything was bleeding into everything! Because of that I wasn’t too worried about getting a lot of separation and decided to use as few mics as possible. The drums have 4 mics, guitar has 1 mic, vocals, 1 mic, the upright actually had 3 mics but I only ended up using 2. I had 2 room mics, one in the middle of the group about 2 feet off the ground set to omni, and a spaced pair of condensers facing the wall behind the band. Getting the mic placement correct was imperative since I wouldn’t have a ton of control after the fact.

Everything was recording through the Trident 88. See below for a complete list of mics used.

Enjoy the music!
Charlie

 

 

Kick: Audio-Technica AT4047
Snare: Audio-Technica Pro63
Overheads: Studio Projects C4s
Guitar Amp: Cascade Fathead II
Bass Amp: Audio-Technica AT4047
Clipped to Bridge: Audio-Technica ATM350
Mounted on bass: Troll Ribbon Mic
Room 1: Audio-Tecnica AT4047MP set to Omni
Stereo Rooms: Audio-Technica AT4050

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Enjoy some photos!

Posted by Charlie in Charlie's Big Mouth Blog Entries!, News, Recording Tips, Tracking, Video Posts, 0 comments