Recording Drums

Recording Drums with A Page Unturned

Recording Drums with A Page Unturned

Ryan Sebold and A Page Unturned Recording Drums

A Page Unturned was back in the studio recording drums for two more singles. Drummer Ryan Sebold does an amazing job of laying down the foundation for this band. Part of the wave of pop-punk revival acts, A Page Unturned cited influences like Blink 182, New Found Glory, and Ellegarden, Creating energetic, melodic, fast-paced music that captures the essential roots of the 90’s/2000’s Pop-punk sound while creating a new exciting sound of their own.

For all of my sessions I like to talk with the artists before hand about what the goals are for the session. In this case Ryan and I talked at length about what type of sounds the band wanted for this round of songs. That helps me put together a plan on how best to achieve the artists goals. For these songs he wanted a big, aggressive, sound.

Choosing the Drums

Drum setup for Ryan Sebold and pop punk band A Page Unturned

Knowing that we used a combination of drums. My 18×22 Gretsch kick with an Evans Emad head, Ryan’s Pearl Forum toms with clear Remo Emperor heads, and Ryan’s Orange County Percussion snare drum with a Remo P77 head.

The Emad on the kick does a great job of giving a tight punchy low end while still having some high end smack to cut through the mix.

The clear Remo Emperors (my favorite) do a little better job of cutting through a mix than their coated counter parts. At least for this king of music where there is a lot happening in the songs.

 

Miking the Drums

Snare Drum miking techniques for pop punk band A Page Unturned

I cover all the mic setup in the video but some of the stand outs for me are the Audio-Technica ATM250/Roswell Pro Audio Mini K47 combo on the kit. This combo give me the good note definition I need with a good solid low end that is fast and punchy.

Add in some DBX 160x on the inside kick mic and we’ve got one hell of a kick sound.

The snare was a combo of an SM57 and AKG 451b on top and a SM57 on bottom. The top mics get a little eq from the Trident 88 and some compression from my Aphex 651 Expressors.

lately I’ve been leaning towards my Heil PR30 for hi-hats. They are not harsh like a condenser but still have really good articulation.

Those mics comprise the core of the setup. The rest you’ll have to watch the video for. 🙂

Check out the A Page Unturned website and A Page Unturned Facebook Page.

Happy recording!
Charlie

 

About Ultimate Studios, Inc

Ultimate Studios, Inc is a full service recording studio, mixing studio and band development resource located in Los Angeles, Van Nuys, North Hollywood, Panorama City, CA 91402

We believe EVERYONE deserves great sounding music!
Ultimate Studios, Inc is a boutique production facility for artists and bands to collaborate, create, and record.

Led by Producer/Engineer Charlie Waymire, our team assists artists through the entire creative process including recording, mixing, mastering, and video production.

At Ultimate Studios, Inc we understand that the recording process is just the beginning. That’s why we have a full team to help you create an online presence with full web development, SEO, advertising coaching and designing for Facebook, YouTube and Google.

Our ultimate goal is to help bands and artists build a strong brand for a lasting career!

Posted by Charlie in Charlie's Big Mouth Blog Entries!, News, Tracking, 0 comments
Recording Studio Tools! Charlie’s Favorite Gear.

Recording Studio Tools! Charlie’s Favorite Gear.

Recording Studio Tools! Charlie’s Favorite Gear: Cloudlifter Zi

Recording studio los angeles Cloudlifter Zi

It’s been a while since I’ve had time to shoot some new video for the site. I’m excited to be back talking about some of my favorite recording studio tools. Over the past few months while I’ve been hiding in the studio a lot of cool gear has come through the doors but a few pieces have stood out. The Cloudlifter Zi is one of them.

As a studio owner it’s always beneficial to find gear that is versatile enough to be used in many applications. I need tools that help me get to the sounds I need as quick as I can and that I can use on every session. The Cloudlifter Zi is one of these pieces of gear.

Bass was the first instrument (obviously!) I used it on and man was I happy. Good player+good bass+Zi= great tone! Add in the variably impedance and I’m able to dial in the perfect tone.

 

Like I said before I like recording studio tools that are versatile. I have used the Zi on quite a few of my drum sessions as well. Quite often I like to put a dynamic mic right in front of the kit pointed at the ceiling and crush it with guitar pedals. The signal chain goes through the Zi and I use the variable impedance and high-pass filter to tweak the tone to taste.

I have done a similar setup with vocals too. Where I have a second mic setup running through a guitar pedal and the Zi.

The Zi has become one of my favorite recording studio tools and I use it on almost every session. Check out the Cloudlifter Zi from Cloudlifter microphones!

 

Watch Charlie’s new “Favorite Gear” video and be sure to like and subscribe to the Ultimate Studios, inc Youtube Channel!

 

About Ultimate Studios, Inc

Ultimate Studios, Inc is a full service recording studio, mixing studio and band development resource located in Los Angeles, Van Nuys, North Hollywood, Panorama City, CA 91402
http://www.UltimateStudiosInc.com

We believe EVERYONE deserves great sounding music!
Ultimate Studios, Inc is a boutique production facility for artists and bands to collaborate, create, and record.

Led by Producer/Engineer Charlie Waymire, our team assists artists through the entire creative process including recording, mixing, mastering, and video production.

At Ultimate Studios, Inc we understand that the recording process is just the beginning. That’s why we have a full team to help you create an online presence with full web development, SEO, advertising coaching and designing for Facebook, YouTube and Google.

Our ultimate goal is to help bands and artists build a strong brand for a lasting career!

Posted by Charlie in Charlie's Big Mouth Blog Entries!, Charlies Favorite Recording Studio Gear, Recording Ninja Workshops, Video Posts, 0 comments
New Recording Studio Trailer!

New Recording Studio Trailer!

New Ultimate Studios, Inc Recording Studio Trailer

Recording, Mixing, Mastering, Video Production. Yes of course we do all of these things. Ultimate Studios, Inc is a full service recording studio in Los Angeles. Continue reading →

Posted by Charlie in Blog, Mixing, News, Releases, Tracking, Video Posts, 0 comments
Dankrupt releases new video single!

Dankrupt releases new video single!

Recording Drums with Dankrupt!

Once again I’m very honored to work with my friends in Dankrupt. In one form or another I’ve worked with them since the very beginning and it has been fun to watch them grow as band. Continue reading →

Posted by Charlie in Charlie's Big Mouth Blog Entries!, Releases, Video Posts, 0 comments
Great Gear Under $400 PT1: Mics & Drums

Great Gear Under $400 PT1: Mics & Drums

 

 

The size of the price tag is not necessarily the way to judge how good a piece of gear will sound. Or if it will do what you actually need it to do.

I pick gear with only 1 thing in mind…..

‘Will this piece of gear do the job I need it to do’.

That’s it.

I have inexpensive gear right next to my expensive gear, and it all works. In PT1 of “Great Gear Under $400” I want to show you a few pieces of gear, that I use all the time, that are under $400. I’m starting with microphones and the drum set.

This is an excerpt from one of the live broadcasts that got a LOT of attention. I know a lot of you are on a budget. That’s why I did this broadcast, to give you some inexpensive options to add to your studio gear.

Enjoy the video and drop me a line to let me know what gear you dig that is under $400!

Happy recording,
Charlie

 

Posted by Charlie in Recording Ninja Workshops, Recording Tips, Video Posts, 0 comments
Make Your Kick Drum Thump!

Make Your Kick Drum Thump!

 

 

It’s time to talk about your bottom….bottom end that is!

The kick and snare sound you record can really define your overall drum sound and getting it right is super important. Not just recording the kick but actually getting a sound that works for the song.

To do that we need to have a good understanding of how a microphone reacts inside the drum. I’m talking about mic placement.

Does your sound need to have more click? Does it need more low end? Does it need to be tight and focused? These are questions you need to answer BEFORE you attempt to capture your perfect kick sound.

By the way when I’m talking about “click” and “low end” I’m not talking about using eq. I’m referring to mic placement and getting that as right as possible and then utilizing eq. If you take the time to get the mic placement to capture the most sound possible then using eq with make that even better.

If you rely on eq to make up for bad mic placement you will often end up with a less than optimal kick drum sound.

Bottom line is it’s best to take some time to experiment with the mics that you own to learn how they capture the kick. I promise you the more you know about your mics the better support your kick drum will be for your music.

Anyway enough of me blabbing! Let’s get to the video.

Happy recording,
Charlie

Posted by Charlie in Recording Ninja Workshops, Recording Tips, Video Posts, 0 comments
Recording Overheads PT3: X/Y

Recording Overheads PT3: X/Y

Up to this point we’ve talked a lot about recording with a mono overhead. In PT3 I want to step into the early 1930’s with a stereo pair of overheads! (here’s a cool link about Alan Blumlein. The man that invented stereo)

I’m starting out with a very popular coincident micing technique called X/Y.

X/Y consists of two, preferably matching, cardioid microphones at a 90° angle with the elements as close together as possible. This doesn’t produce a very wide stereo image but it is accurate, phase coherent, and collapses to mono well. It’s also easy to setup. In most cases you can mount the two microphones on a single stand using stereo bar.

I have a kick and snare mic on the kit as well so you can here how this setup works in context with other microphones.

Happy recording,
Charlie

If you missed parts 1 or 2 you can see them here:

Recording Overheads PT1: Mono
Recording Overheads PT2: Different Mic Types

 

Posted by Charlie in Recording Ninja Workshops, Recording Tips, Video Posts, 0 comments
Recording the Perfect Track w/Tim Pedersen

Recording the Perfect Track w/Tim Pedersen

 

 

A couple of weeks ago I had the honor of Tim Pedersen joining me on the Recording Ninja Workshop Live Broadcast. Tim has been one of my musical mentors since I moved to LA. Recently I had the opportunity to work with him on mixing and a little re-recording on an EP for another great friend of mine Tita Hutchison.

We covered a lot of great info about how we recorded the drums AFTER we had a mix finished. This video is a 10 minute excerpt from that broadcast.

Drums are usually the first instrument to be tracked…and usually quite quickly. Then all the other instruments get to take their time building their parts and sounds on top of the drum tracks.

Every once in a while that process gets flipped around and the drums go on last.

That’s exactly what happened for Tita Hutchison’s song “Frost” off of her debut EP “Hello Love“.

We were already deep in the mixing process when we decided that “Frost” needed drums. The song just didn’t feel quite finished and lacked some movement in it’s current arrangement. Since our mix was pretty much done it allowed up to really take some time designing a drum sound that would help move the song along.

Tim and I spent a total of about 12 days mixing (all in a row!) and took an entire day to track just drums. It was a really fantastic time. Tim had the idea of giving the drums an old school, vintage vibe. Which is exactly what the song needed.

After spending most of the day experimenting with sounds, mic placement, eq, and compression, we landed on something that we were really proud of. It’s a sound that we really felt fit the song and helped move it along.

Anyway enough of me talking about it. Enjoy this excerpt from our Recording Ninja Workshop Live Broadcast.

Happy recording!
Charlie

 

Enjoy some photos!

Posted by Charlie in Recording Ninja Workshops, Recording Tips, Video Posts, 0 comments
In Session: Good Vibes with Dankrupt

In Session: Good Vibes with Dankrupt

The good vibes and killer grooves of Dankrupt once again invaded the studio. Joined by drummer RJ Shankle and Producer Sean Gould, the band recorded drums for their upcoming EP.

Even though we were only tracking drums the whole band played together in the live room. This is such a wonderful way to make music. Giving RJ maximum vibe for his performance!

Dankrupt is a GREAT band! They is pure joy every time they play. Here is a short video from that day in the studio.

For more info on Dankrupt visit them on Facebook.

 

 

 

Tracking Input List – Dankrupt 6-25-16

Dankrupt Tracking Input List 6-25-16

Posted by Charlie in Tracking, Video Posts, 0 comments
Minimal Micing Concepts: Recorderman

Minimal Micing Concepts: Recorderman

 

 

A good minimal micing setup can help you achieve fantastic results with only a few channels. It can also capture a wonderful, organic, sound no matter how many channels you have. There are quite a few minimal micing setups and, depending on your situation, all of them are useful. Today I would like to cover the very effective Recorderman setup.

The Recorderman setup uses only 2 microphones. One directly over the snare,aimed directly at the snare, and another over the should of the drummer also aimed at the center of the snare. Each mic should be roughly 2 drumstick lengths away from the snare. Of course the height can be adjusted to accommodate the drummer. I have also added a kick drum mic to help capture a good solid bottom end for our simple setup.

Personally I find the Recorderman a little uncomfortable as a player. It’s a very intrusive configuration so once we demonstrate the basic setup we move the mics a little higher to see if the sound changes at all.

Enjoy this setup. Next month we’ll look at another minimal micing configuration.

Happy recording!
Charlie

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