mono overhead

Recording Overheads PT2: Different Mic Types

Recording Overheads PT2: Different Mic Types

In PT1 of Recording Overheads I talked about using a single, mono, mic to record a great overhead sound. In PT2 I want to demonstrate how you can use different mic types to capture just the sound your music needs.

I picked 3 mics; a large diaphragm condenser (AT4047), small diaphragm condenser (AKG451b), and a ribbon mic (AT4080). Each of these mics have unique characteristics and can be used to manipulate your drum sound to fit your music. Although there are many different mics to be purchased to record drums I highly recommend having a couple options for overhead choices.

Changing the overhead mics can have the single biggest impact on your drum sound.

Sure kick mics will make a difference, snare mics to a lesser degree, and even room mics can have a big effect. None of them come close to capturing as much pure, overall, tone as the overheads. Kick and snare are spot mics and the rooms are effected by, well, the room.

I’m not trying to say the other mics on the kit aren’t important because they are. All I’m saying is that you can completely alter your entire drum sound with different overhead mics and it’s worth having a couple options.

The point of this video is to give you an idea of what 3 common mics types sound like on overheads.

What mics are you using for overheads?

Happy recording,
Charlie

 

Posted by studioadmin in Recording Ninja Workshops, Recording Tips, Video Posts, 0 comments