Video Posts

Dankrupt releases new video single!

Dankrupt releases new video single!

Recording Drums with Dankrupt!

Once again I’m very honored to work with my friends in Dankrupt. In one form or another I’ve worked with them since the very beginning and it has been fun to watch them grow as band. Continue reading →

Posted by Charlie in Charlie's Big Mouth Blog Entries!, Releases, Video Posts, 0 comments
Roswell Pro Audio “Little Wing” & Drum Videos

Roswell Pro Audio “Little Wing” & Drum Videos

What is better than recording great musicians with great microphones? Nothing!

Roswell Pro Audio is a boutique microphone company based in northern California. They make a couple really nice microphones; The Delphos and the Mini K47.

Matthew at Roswell contacted me about producing a few videos to showcases what these two mics on drums and with a full band. This was my first full experience with these mics and let me just say that they sound fantastic! Drums, bass, guitar, vocals, you name it, they were great.

The first video we put each mic to the test on drums and tracked a few really cool minimal mic setups. Check it out below and here for yourself.

 

As much fun as it was to produce the drum video Matthew wanted to get a video with a full band. In other words he wanted to make some music! For this I enlisted the help of some of my favorite musicians. Glen Sobel (Alice Cooper) on drums, Ric Fierabracci (Blood Sweat and Tears, Chick Corea) on bass, Jeffery Marshall (Alan Parsons Project) on guitar, Alexx Calise (Batfarm) and Jude Crossen on vocals.

This was really fun recording session and video shoot. How could it be anything else when you have the most amazing musicians on the planet! This video also showcases the versatility of the Roswell Pro Audio microphones. Don’t take my word for though. Check out the video below.

 

Learn more about Roswell Pro Audio at www.RoswellProAudio.com.

Need video production? We specialize in helping artists, bands, musicians and music manufacturers get the video content you need to promote your brand in today’s market. Contact us for consultation. More info here.

Posted by Charlie in Charlie's Big Mouth Blog Entries!, News, Video Posts, 0 comments
The Music Chamber Toys For Tots Benefit 2016

The Music Chamber Toys For Tots Benefit 2016

Ultimate Studios, Inc hosted the annual Music Chamber Toys For Tots benefit concert on December 8. We had a packed house and a great broadcast!

This year’s artists were Cage 9, Robbery Inc., and Little Empire. 3 amazing sets of music with a wonderful, and very lively audience!

There is still a little time left to donate and help bring a little joy to some children in need. Go to the Toys for Tots website to make a donation!

We’re rolling out the first videos from the concert starting with a great performance by Cage 9. Enjoy!

 

 

Posted by Charlie in News, The Music Chamber, Video Posts, 0 comments
Great Gear Under $400 PT1: Mics & Drums

Great Gear Under $400 PT1: Mics & Drums

 

 

The size of the price tag is not necessarily the way to judge how good a piece of gear will sound. Or if it will do what you actually need it to do.

I pick gear with only 1 thing in mind…..

‘Will this piece of gear do the job I need it to do’.

That’s it.

I have inexpensive gear right next to my expensive gear, and it all works. In PT1 of “Great Gear Under $400” I want to show you a few pieces of gear, that I use all the time, that are under $400. I’m starting with microphones and the drum set.

This is an excerpt from one of the live broadcasts that got a LOT of attention. I know a lot of you are on a budget. That’s why I did this broadcast, to give you some inexpensive options to add to your studio gear.

Enjoy the video and drop me a line to let me know what gear you dig that is under $400!

Happy recording,
Charlie

 

Posted by Charlie in Recording Ninja Workshops, Recording Tips, Video Posts, 0 comments
Make Your Kick Drum Thump!

Make Your Kick Drum Thump!

 

 

It’s time to talk about your bottom….bottom end that is!

The kick and snare sound you record can really define your overall drum sound and getting it right is super important. Not just recording the kick but actually getting a sound that works for the song.

To do that we need to have a good understanding of how a microphone reacts inside the drum. I’m talking about mic placement.

Does your sound need to have more click? Does it need more low end? Does it need to be tight and focused? These are questions you need to answer BEFORE you attempt to capture your perfect kick sound.

By the way when I’m talking about “click” and “low end” I’m not talking about using eq. I’m referring to mic placement and getting that as right as possible and then utilizing eq. If you take the time to get the mic placement to capture the most sound possible then using eq with make that even better.

If you rely on eq to make up for bad mic placement you will often end up with a less than optimal kick drum sound.

Bottom line is it’s best to take some time to experiment with the mics that you own to learn how they capture the kick. I promise you the more you know about your mics the better support your kick drum will be for your music.

Anyway enough of me blabbing! Let’s get to the video.

Happy recording,
Charlie

Posted by Charlie in Recording Ninja Workshops, Recording Tips, Video Posts, 0 comments
Recording Overheads PT3: X/Y

Recording Overheads PT3: X/Y

Up to this point we’ve talked a lot about recording with a mono overhead. In PT3 I want to step into the early 1930’s with a stereo pair of overheads! (here’s a cool link about Alan Blumlein. The man that invented stereo)

I’m starting out with a very popular coincident micing technique called X/Y.

X/Y consists of two, preferably matching, cardioid microphones at a 90° angle with the elements as close together as possible. This doesn’t produce a very wide stereo image but it is accurate, phase coherent, and collapses to mono well. It’s also easy to setup. In most cases you can mount the two microphones on a single stand using stereo bar.

I have a kick and snare mic on the kit as well so you can here how this setup works in context with other microphones.

Happy recording,
Charlie

If you missed parts 1 or 2 you can see them here:

Recording Overheads PT1: Mono
Recording Overheads PT2: Different Mic Types

 

Posted by Charlie in Recording Ninja Workshops, Recording Tips, Video Posts, 0 comments
Recording Overheads PT2: Different Mic Types

Recording Overheads PT2: Different Mic Types

In PT1 of Recording Overheads I talked about using a single, mono, mic to record a great overhead sound. In PT2 I want to demonstrate how you can use different mic types to capture just the sound your music needs.

I picked 3 mics; a large diaphragm condenser (AT4047), small diaphragm condenser (AKG451b), and a ribbon mic (AT4080). Each of these mics have unique characteristics and can be used to manipulate your drum sound to fit your music. Although there are many different mics to be purchased to record drums I highly recommend having a couple options for overhead choices.

Changing the overhead mics can have the single biggest impact on your drum sound.

Sure kick mics will make a difference, snare mics to a lesser degree, and even room mics can have a big effect. None of them come close to capturing as much pure, overall, tone as the overheads. Kick and snare are spot mics and the rooms are effected by, well, the room.

I’m not trying to say the other mics on the kit aren’t important because they are. All I’m saying is that you can completely alter your entire drum sound with different overhead mics and it’s worth having a couple options.

The point of this video is to give you an idea of what 3 common mics types sound like on overheads.

What mics are you using for overheads?

Happy recording,
Charlie

 

Posted by Charlie in Recording Ninja Workshops, Recording Tips, Video Posts, 0 comments
Recording Overheads PT1: Mono

Recording Overheads PT1: Mono

If you’ve followed my recording videos then you know I’m a HUGE proponent of using overhead mics to capture the majority (or at least a large part) of your drum sound. I talk about it all the time…..and now I’m going to talk about it more! 🙂

Over the next couple of weeks I will cover 3 or 4 different techniques for recording overheads starting with mono!

I think using a mono overhead mic gets overlooked all too often. It’s such an effective way to capture a good drum sound. Plus there are other ways to capture a stereo image…but that’s for another video.

In this video we’ll take a look at how the height and placement of the microphone effects your sound.

Check back soon for PT2!

Happy recording,
Charlie

 

Posted by Charlie in Recording Ninja Workshops, Recording Tips, Video Posts, 0 comments
Recording the Perfect Track w/Tim Pedersen

Recording the Perfect Track w/Tim Pedersen

 

 

A couple of weeks ago I had the honor of Tim Pedersen joining me on the Recording Ninja Workshop Live Broadcast. Tim has been one of my musical mentors since I moved to LA. Recently I had the opportunity to work with him on mixing and a little re-recording on an EP for another great friend of mine Tita Hutchison.

We covered a lot of great info about how we recorded the drums AFTER we had a mix finished. This video is a 10 minute excerpt from that broadcast.

Drums are usually the first instrument to be tracked…and usually quite quickly. Then all the other instruments get to take their time building their parts and sounds on top of the drum tracks.

Every once in a while that process gets flipped around and the drums go on last.

That’s exactly what happened for Tita Hutchison’s song “Frost” off of her debut EP “Hello Love“.

We were already deep in the mixing process when we decided that “Frost” needed drums. The song just didn’t feel quite finished and lacked some movement in it’s current arrangement. Since our mix was pretty much done it allowed up to really take some time designing a drum sound that would help move the song along.

Tim and I spent a total of about 12 days mixing (all in a row!) and took an entire day to track just drums. It was a really fantastic time. Tim had the idea of giving the drums an old school, vintage vibe. Which is exactly what the song needed.

After spending most of the day experimenting with sounds, mic placement, eq, and compression, we landed on something that we were really proud of. It’s a sound that we really felt fit the song and helped move it along.

Anyway enough of me talking about it. Enjoy this excerpt from our Recording Ninja Workshop Live Broadcast.

Happy recording!
Charlie

 

Enjoy some photos!

Posted by Charlie in Recording Ninja Workshops, Recording Tips, Video Posts, 0 comments
In Session: Good Vibes with Dankrupt

In Session: Good Vibes with Dankrupt

The good vibes and killer grooves of Dankrupt once again invaded the studio. Joined by drummer RJ Shankle and Producer Sean Gould, the band recorded drums for their upcoming EP.

Even though we were only tracking drums the whole band played together in the live room. This is such a wonderful way to make music. Giving RJ maximum vibe for his performance!

Dankrupt is a GREAT band! They is pure joy every time they play. Here is a short video from that day in the studio.

For more info on Dankrupt visit them on Facebook.

 

 

 

Tracking Input List – Dankrupt 6-25-16

Dankrupt Tracking Input List 6-25-16

Posted by Charlie in Tracking, Video Posts, 0 comments