Recording Tips

Session Reports – In the Studio w/Charlie Waymire

Session Reports – In the Studio w/Charlie Waymire

FullOnDrums.com has launched a new video series called “Session Report”.

In this new series Charlie will document actual sessions at Ultimate Studios, Inc. He’ll talk about choosing microphones to fit the artists sound, micing techniques and concepts, gear, and most importantly why he chooses to use a particular mic or setup.

Session Reports are all about context. Some setups will be fairly straight forward and some may be more unorthodox. The goal is to show what went in to capturing a sound for a specific artist.

The debut Session Report episode features drummer Jeff Bowders (Paul Gilbert/Puddle of Mudd). Jeff performs a track of his album “The Pilgrimage of Thingamuhjig”. Check out the video below and be sure to visit FullOnDrums.com for a complete breakdown of the session including photos, mic list, outboard gear list, and detailed session notes.

Enjoy!

 

 

Jeff Bowder's and his Tama drum set at Ultimate Studios, Inc filiming FullOnDrums.com Session Report

There is a secret to getting great drum sounds that surpasses almost anything else. It’s more important than having good mics, killer drums, or even an amazing room. What I’m about to tell you might shock you…..but it’s a secret that will always set you up for great drum recordings. Are you ready?

Continue reading →

Posted by Charlie in Full On Drums, Recording Tips, Tracking, Video Posts, 0 comments
Good Vibrations Debuts On DrumMagazine.com! (w/video)

Good Vibrations Debuts On DrumMagazine.com! (w/video)

I am stoked to announce that “Good Vibrations”, a new column on DrumMagazine.com, has officially launched! In each installment I’ll discuss how I work with drummers to get a great sound in the studio. “Good Vibrations” is designed to give you a quick look at how I go for a particular sound to fit a session or song. I’ll be working with different artists in each installment, including some familiar names in the industry.

There are plenty of articles all over the internet that talk just about the gear. I want to focus on “why” I choose to use something and how it relates to the other pieces in the setup and, more importantly, the song. Don’t get me wrong, gear is great and I a super gear nerd but at the end of the day the song is most important and that’s how I’m approaching this column. From the perspective of the song, not the recording gear.

The first episode of “Good Vibrations” features a great friend of mine and an awesome Drummer/Producer Mike Avenaim. We filmed this while working together on a new artist that he’s producing named T’Lark. I hope you enjoy!

Charlie

 

Go to DrumMagazine.com to watch the episode and see complete session notes.

 

Watch “Good Vibrations” EP1 below!

 

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Marty O’Reilly Live in Studio! (w/Video)

Marty O’Reilly Live in Studio! (w/Video)

I love working with bands live in the studio. It’s such a wonderful way to record. It’s not always easy when you have drums, amps, and vocals in the same room playing at the same time but I love the challenge. When it works it’s just fantastic! Recently I got to work with Marty O’Reilly and the Old Soul Orchestra. They were on tour and had a day off after their show in LA. Derek from PMI Audio had worked with them before and wanted to get them in the studio to track through the Trident 88 console and shoot some video.

Our goal was to capture true live performances of Marty and his band with no overdubs whatsoever. Marty has such a cool vibe and the band really felt comfortable playing together in the room with no monitoring or headphones. Very, very organic.

For this session bleed had to be my friend because everything was bleeding into everything! Because of that I wasn’t too worried about getting a lot of separation and decided to use as few mics as possible. The drums have 4 mics, guitar has 1 mic, vocals, 1 mic, the upright actually had 3 mics but I only ended up using 2. I had 2 room mics, one in the middle of the group about 2 feet off the ground set to omni, and a spaced pair of condensers facing the wall behind the band. Getting the mic placement correct was imperative since I wouldn’t have a ton of control after the fact.

Everything was recording through the Trident 88. See below for a complete list of mics used.

Enjoy the music!
Charlie

 

 

Kick: Audio-Technica AT4047
Snare: Audio-Technica Pro63
Overheads: Studio Projects C4s
Guitar Amp: Cascade Fathead II
Bass Amp: Audio-Technica AT4047
Clipped to Bridge: Audio-Technica ATM350
Mounted on bass: Troll Ribbon Mic
Room 1: Audio-Tecnica AT4047MP set to Omni
Stereo Rooms: Audio-Technica AT4050

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Enjoy some photos!

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Charlie Talks Drum Miking & FREE eBook!

Charlie Talks Drum Miking & FREE eBook!

I absolutely love recording drums! There are so many possibilities to create interesting and unique sounding drums to fit a song’s personality. Finding that sound can take some experimenting but when you find it, it’s plain magical. Experimenting is a BIG part of learning how to find that sound. The more time you put into experimenting the better understanding you’ll have about how drums sound, about what your microphones hear, about mic placement. All of this will ultimately lead you to better sounding drums!

 

Take your drum miking skils to the next level! 4 Twists On Minimal Drum Miking FREE eBook from engineer Charlie Waymire

That’s one of the BIG goals of “4 Twists On Minimal Drum Miking“; to help you understand the drums better and get great sounds without needing lots of gear. By using less gear it really makes you think about what sounds you’re going after and where you’re placing your microphones. These are just a few techniques that I hope will help you not only get better drum sounds but spark your imagination to come up with sounds that are unique to you and your music.

Remember, it’s not just about recording a great drum sound. It’s about recording the “right” drum sounds for your songs, or for your client’s songs. As you experiment with these techniques give them some sort of context so you can learn how they really sound, how the drums fit into the music and how the music fits around the drums.

The recording process can, and should be, an amazing journey. Be creative and experiment as much as possible. Don’t be afraid to try something different and don’t get stuck just recording one way. Whether it’s drums, guitars, vocals, bass, banjo, or any combination of instruments, remember that it’s art. It’s YOUR art.

Have fun and enjoy “4 Twists On Minimal Drum Miking“!

– Charlie

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Potluck Audio Conference & FREE eBook!

Potluck Audio Conference & FREE eBook!

The Potluck Audio Conference is an annual trade show for audio engineers; studio, live, and broadcast. It’s held at the luxurious Hilton El Conquistador Resort in Tucson, AZ. PotluckCon is small and, unlike NAMM, very laid back. But what it lacks in size it makes up for in quality. Among the attendees were Audio-Technica, PMI Audio, Universal Audio, Sweetwater, Neve, API, Royer, Mojave Audio, Empirical Labs, to name a few.

The weekend also featured many great seminars on recording, mixing, acoustics, broadcast audio, DIY room treatment, hybrid studio setups, and all kinds of other audio and studio related subjects. It was a fantastic weekend of learning from some of the best in the business in an environment that made it easy to learn. It was awesome!

Perhaps the best part of the weekend was the “Casita Gear Crawl”. There is a long row of outdoor suites that are turned into mini studios and feature hands on demonstrations, recording seminars, and more.

Charlie's Recording Setup for the Potluck Audio Conference 2014

Charlie's Recording Setup for the Potluck Audio Conference 2014

I was privileged to be asked by Audio-Technica to put on a seminar about minimal drum miking. The setup in the suite reminded me of being a kid and recording on 4-track cassette recording in my parent’s basement and friend’s houses. It was a lot different (and more challenging!) than working at the studio but I had a blast. We were able to make the room sound pretty nice by using about 16 Cylinder Traps from Aural Endeavors. Everyone at the conference was an amazing help in getting all the gear together and having extra help on hand. Luckily I had my gorgeous girlfriend on hand to help me setup too. It’s a little unnerving to put on a seminar using a rig you’ve never used!

I did a lot of experimenting before the seminar to figure out what I would do. Minimal miking isn’t a new concept but Craig Schumacher, PotluckCon’s driving force, asked me to approach it from a modern recording perspective and not from a classic point of view. That proved quite challenging but I think I came up with a few twists on the classic minimal miking techniques and put my ideas down in a handout, “The Art of Recording Drums – 4 Twists On Minimal Drum Miking”, for all the attendees. Since I think there are some pretty good ideas I thought I would share them with anyone interested in recording drums. These techniques don’t require lots of microphones or lots of gear. They will provide some pretty amazing drum tones and are great for home recording enthusiasts as well as the seasoned pros.

I’ve recorded some amazing sounding drums with these techniques and I hope they can help you do the same!

Enjoy!
Charlie Waymire

Get Your Copy of “The Art of Recording Drums – 4 Techniques On Minimal Drum Miking” FREE eBook Here!

4 Twists On Minimal Drum Miking

 

Photos from PotluckCon 2014

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Tips & Tricks – Vocal Techniques (w/video)

Tips & Tricks – Vocal Techniques (w/video)

In this installment of “Tips & Tricks” vocalist Brian “Hacksaw” Williams joins the URS crew to talk about some vocal techniques for getting better performances in the studio.

Be sure to visit the Ultimate Rhythm Studios YouTube channel and subscribe!

 

Basic Vocal Techniques w/Brian Williams

 

Posted by Charlie in Recording Tips, Tracking, Video Posts, 0 comments
Tips & Tricks – Basic Guitar Micing pt3 (w/video)

Tips & Tricks – Basic Guitar Micing pt3 (w/video)

“Tips & Tricks” is a new video series from Ultimate Rhythm Studios that is aimed to help you learn how to make better recordings. We’re kicking off the “Tips & Tricks” series talking about guitars!

In part 2 Charlie and Ernesto showed you how to use two microphones to get a full guitar tone and give you a lot of tonal options. In part 3 they will use condenser mics to record a full and open guitar sound.

Setup #1 is a single MXL v67i. It is placed at different angles and pointed at different spots of the cone to demonstrate the different sound option and is running through the Toft ATB24 console with no eq.

Setup #2 combines an MXL v67i with an Audio Technica AE3000 condenser. Both are running through the Toft ATB24 with no eq.

Download the 48k/24bit files Here.

Be sure to visit the Ultimate Rhythm Studios YouTube channel and subscribe!

 

Basic Guitar Micing pt3

 

Posted by Charlie in News, Recording Tips, Video Posts, 0 comments
Tips & Tricks – Basic Guitar Micing pt2 (w/video)

Tips & Tricks – Basic Guitar Micing pt2 (w/video)

“Tips & Tricks” is a new video series from Ultimate Rhythm Studios that is aimed to help you learn how to make better recordings. We’re kicking off the “Tips & Tricks” series talking about guitars!

In part 2 Charlie and Ernesto show you how to use two microphones to get a full guitar tone and give you a lot of tonal options.

Setup #1 uses two SM57’s at different angles running through the Toft ATB24 console with no eq.

Setup #2 uses 1 SM57 and 1 Audio Technica ATM450 condenser also running through the Toft ATB24 with no eq.

Download the 48k/24bit files Here.

Be sure to visit the Ultimate Rhythm Studios YouTube channel and subscribe!

 

Basic Guitar Micing pt2

 

Posted by Charlie in Recording Tips, Video Posts, 0 comments
Tips & Tricks – Basic Guitar Micing pt1 (w/video)

Tips & Tricks – Basic Guitar Micing pt1 (w/video)

“Tips & Tricks” is a new video series from Ultimate Rhythm Studios that is aimed to help you learn how to make better recordings. We’re kicking off the “Tips & Tricks” series talking about guitars!

In part 1 Charlie and Ernesto focus on using a single dynamic mic to get a guitar sound and how moving the mic around the cone will give you different tonal options. The SM57 is running through the Toft ATB24 console with no eq.

Download the 48k/24bit files Here.

Be sure to visit the Ultimate Rhythm Studios YouTube channel and subscribe!

 

Basic Guitar Micing pt1

 

A few photos!

Single SM57 pointed at the center cone

Single SM57 pointed at the center cone

Single SM57 between the center and edge of the cone

Single SM57 between the center and edge of the cone.

Single SM57 on the edge of the cone

Single SM57 on the edge of the cone.

Posted by Charlie in Recording Tips, Video Posts, 0 comments